![]() DP’s EuCon plug-in has also been substantially updated, including support for the Avid S6 console. DP 11 also includes new control surface plug-ins for the current Native Instruments Komplete Kontrol lineup, including the M32, A-Series, and S-Series MK2 controller lines, plus hot new iCON Control mixing worksurfaces. There are also many new interface improvements, new tools and features throughout. And in live performance mode, all effects are processed in real time, rather than pre-generated, for instant responsiveness in critical performance situations. Users also gain complete hands-on control of DP’s extensive Clips window with popular pad controllers like the Novation Launchpad Pro mk3 or Akai APC-40, to trigger individual clips or entire scenes (sections of songs), apply filter sweeps and other effects processing, etc, and other features used in live performance. Optimized for native multi-core performance, DP’s audio engine prioritizes audio threads on high-speed cores and reserves CPU bandwidth for critical, time-sensitive processing. New features include three playback modes (Classic, 1-shot and Slice), ZTX time stretching, beat slicing with Randomize and Auto Randomize, Repeat, Reverse, and a ground-up rewrite of the UI.Īnd Digital Performer 11 is fully qualified for macOS Big Sur (11.x) and the latest generation Apple silicon Macs. Drop in a sample and start stretching, slicing, randomizing and transforming audio into just about any sound or instrument you can imagine. For both MIDI and audio input, Digital Performer ensures that users never lose that precious, fleeting creative moment.Ī major upgrade of Nanosampler serves as every DP user’s go-to virtual instrument for creating unique beats, instruments and sounds. Like magic, users can immediately recall any audio or MIDI material they’ve recently played. Now, DP always listens to both MIDI and audio input sources, capturing everything, even when not recording. MX4 and DP’s other included synth plug-ins are MPE-enabled, so users can get started with their MPE controller right away.ĭP11 adds audio to its Retrospective Recording capabilities. Or users can view and edit each controller in a separate lane using DP’s familiar and powerful continuous controller (CC) editing tools.Ī new Scale tool allows users to increase or reduce the amount of expression by dragging up or down. After recording a range of gestures (strike, pressure, slide, glide and lift), users see a single stream of normal MIDI notes each containing their own note-specific controllers (generated by the performance) superimposed on top of each note for easy and intuitive editing in DP’s familiar piano roll. In Digital Performer 11, users can record multichannel output from a MIDI Polyphonic Expression (MPE) controller - such as a Roli Seaboard - as regular MIDI notes with encapsulated MPE expression data. DP’s Graphic Editor provides clear, intuitive editing of articulations in separate lanes. In addition, each articulation can trigger multiple forms of output, from on-velocity changes to note stacks, providing support for even the most advanced orchestra libraries, such as the VSL Synchron engine. Because notes remember their symbol, users can instantly switch maps at any time (to a different sound library, for example). Symbols remain connected to their orchestra library sounds, so that what a user sees is what they hear. ![]() Each articulation can be mapped to a symbol, stem ornament, alternate notehead or custom text (such as con sordino) in DP’s QuickScribe notation editor. Users can create or import articulation maps to build dynamic instruments and ensembles, allowing them to play, record or program expressive performances with unprecedented realism and musical impact. With the new Articulation Maps feature, Digital Performer users can take full control of the expressive depth of today’s most advanced orchestral sound libraries, including VSL, East West, Spitfire, Cinesamples and many others. “We’ve packed amazing new technological advancements into familiar UI elements for easy adoption into users’ daily workflows.” Digital Performer was always favored by serious music composers and sound designers and the new Digital Performer 11 update is a strong effort to improve all the tools that those users require from today's audio software, while improving the platform itself without interface disruptions. “DP’s streamlined and customizable user experience is now more powerful than ever,” says Jim Cooper, Director of Marketing at MOTU.
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